The Beauty of Film / The Dynamic Range of Modern Sensors.
Precision Film Emulation
In an ACES Pipeline
Grade Once - Render any Delivery
56 Film Profile LUTs ( ACEScct IN & OUT )
25 Special Process LUTs ( Pushed, Pulled, Flashed, Silver Retained, X-Process, etc. )
PIPELINE is a collection of some of the finest Film Profiles in post production. The pixel perfect Film Response LUTs live inside the massive ACEScct AP1 working space.
The result is a painterly image flawlessly mastered.
Deliverables for Theatrical, Television, Commercial, Netflix, Amazon, Music Video, Web, et cetera, can all be output from one grade.
Change the output mapping to your delivery spec and render.
Film Profiles Included:
Agfa Portrait XPS 160
Agfa Precisa Xp
Fuji Instant FP Neg
Fuji Instant FP
Fuji Neopan BW
Fuji Provia 100F
Fuji Provia Xp
Fuji Sensia Xp
Kodak E100VS Xp
Kodak Portra 160
Kodak Portra 400
Kodak Portra 800
Kodak Tri-X BW
Polaroid 665 BW
Load standard LUT files into Resolve, Photoshop, After Effects, Baselight, Flame, Nuke, Premiere, etc...
Pipeline LUTs are derived from profiled film data.
They are then idealized to fit into an ACEScct AP1 container.
During the process there's a fine line of art & science to maintain the exact color and feeling of the original data while also expanding its ranges to play well in HDR environments with expanded luminance and gamuts.
In other words:
Choose your ACES Camera Input Transform and map the Output into ACEScct.
Choose your ACES Display Output Transform and map from ACEScct to your TV, Projector, HDR display, etc..
Put a Film LUT before your Display Output Transform.
Do all your work nestled between your Camera Input Transform and the Film LUT.
Go Make Films!
Colorspace Transform & ACES Transform are both default Resolve OFX Plugins that work for this node based ACES Pipe.
Just about every Color Grading, VFX, and Editing software has built in ACES support and follows this general convention.
Email us with any questions on your specific workflow. firstname.lastname@example.org